The viewer does not expect that an algorithm can lead to such valuable things and that, furthermore, it was born in a place like Germany ”, says Thalheim. “That was one of the interesting things about the story. The story is also that of global disenchantment. The main cast is played by actors known to a part of the international audience, such as Mark Waschke, the villain of Dark, Netflix’s great German hit Mišel Maticevic, the mobster from Babylon Berlin and Lavinia Wilson, the spy of Deutschland 86, who this time plays the lawyer representing the two friends in court. When it was proposed, Netflix immediately accepted the project. With the script already prepared, they had to wait for the trial to end, in 2016, to start production. One day, chatting with Robert It made me see that we could tell it ”. “I thought it was an interesting story to shoot, but I envisioned it as one of those productions that can only be done in Hollywood, not in Germany. Like Tesla and the founders of Terravision, Ziegenbalg had to face the complex of being a European creator versus the all-powerful United States. But nothing has happened as we dreamed it “ “They were people who trusted that the digital revolution would build a more just and democratic world. That neighbor was the art teacher Joachim Sauter and he was not telling a joke, as he first believed. At one point, his host explained that he had sued Google for compensation of several hundred million euros. In fact, he learned about the story himself when he attended the barbecue that a neighbor of his had invited him to in Berlin. “Was it difficult for you to find information on the case on Google?” Asks Ziegenbalg, one of the creators of the series, ironically during its world premiere at the Zurich film festival. All of them have acted as advisers to this production.ĭespite the magnitude of his lawsuit, hardly anyone knows about the judicial process. Both characters are transcripts of real people: the art teacher Joachim Sauter and the artist Gerd Grüneis in the case of Carsten, and the technological geniuses Pavel mayer and Axel Schmidt, in Juri’s. In this fiction, two men, Carsten Schlüter and Juri Müller, prepare together with their lawyers a complex judicial process that will take them to Delaware (United States), while remembering the story of their friendship and their great common feat. The code that was worth millions is a four-part German series created by Oliver Ziegenbalg and directed by Robert Thalheim that can now be seen on Netflix. His judicial confrontation and his struggle to launch a visionary idea in a country with a recently fallen dividing wall, and a limited capacity to imagine a newly released future now inspire a story based on those events. They claimed that their project, the almost unknown Terravision, is a predecessor to Google Earth. History repeats itself with the German scientists who dared to denounce the giant Google in 2014, accusing it of having violated the patent of the technological pattern that they created during the nineties in Berlin. His merits were attributed to other scientists, especially the American Thomas Alva Edison, who had been his employer when he arrived as an immigrant in New York and a man with many more means at his disposal to succeed in the closely related world of patents. Even the most modern cars in the world bear his name. The scientist of Serbian origin Nikola Tesla has become a cultural reference.
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